Days before the concert, Natanael Cano’s music was already following passersby through Mexico City: fans blasted his songs outside the Granjas México neighborhood, while at least one Uber driver kept a steady Nata soundtrack running for passengers. By Friday night (Sept. 18), the city was ready.
When Cano took the stage at Estadio GNP Seguros, roughly a third of the crowd had embraced the cowboy-hat look — a norteño-vaquero style that echoed the corridos tumbados pioneer’s own aesthetic. Fans chanted along before Cano even appeared, setting the tone for the first of two back-to-back sold-out shows; the second date was added after the initial concert sold out within hours.
Then the Hermosillo, Sonora, superstar emerged in a crisp cowboy hat, a cream-and-black snakeskin jacket, Louis Vuitton Timberlands and a gold lion buckle. His jacket came off early, revealing a bare chest and a diamond-encrusted Jesus pendant. Earlier backstage, Cano described the look’s inspiration as a collision of Tupac and Chalino Sánchez — an apt reference for one of the central figures in corridos tumbados, a hip-hop-inflected movement propelled by Cano and the wider Rancho Humilde label community.
Natanael Cano chills backstage moments before his performance in Mexico City’s Estadio GNP Seguros on Friday (Sept. 18). Credit: shotbypeteypablo / pedrosaavedra
By the time he wrapped his first performance of the Natanael Cano Vol. 1 Tour shortly after midnight, he had made one thing clear: corridos tumbados had arrived at stadium scale. Backed by a full ensemble of tuba, requintos and guitar, he moved through the raw, romantic and rowdy worlds of Natanael Cano, Vol. 1.
The album arrived in August after Cano explored trap, reggaetón and afrobeat on 2025’s Porque La Demora. Vol. 1, which debuted at No. 10 on Billboard’s Top Latin Albums chart, adding momentum to a career that includes four Billboard Hot 100 entries, from “PRC” with Peso Pluma to “Vino Tinto” with Peso Pluma and Gabito Ballesteros.
Cano’s Mexico City kickoff was loud, smoky, funny and carefully oversized, but never polished into anonymity. He shouted, drank, joked, paused for push-ups and let the requinto and tuba roll through the venue. He also sang with control and feeling, carrying songs about bravado, heartbreak and reinvention into a stage built for artists operating at the largest scale. The result was a fitting opening statement for Natanael Cano, Vol. 1: a star returning to his roots without shrinking himself to fit them.
Following his Mexico City kickoff, Cano will take his oversized tour to 12 more cities across Mexico, including upcoming stops in Guadalajara and Monterrey, before concluding the trek on Dec. 5 in Acapulco.
Here are five of the night’s best moments.
Apareció primero en IPauta
